Gli Angeli Genève

Ensemble

  • Gli Angeli Genève was founded in 2005 by Stephan MacLeod. A variable-geometry ensemble playing on period instruments (or copies of instruments), the ensemble is made up of musicians with careers in the field of Baroque music, but who have the particularity of not only playing early music. This eclecticism guarantees the vitality of their enthusiasm. It is also a driving force behind their curiosity.

    Right from the beginning of a musical adventure that for several years concentrated solely on live performances of the complete Bach Cantatas in Geneva, with three concerts per season, Gli Angeli Genève has been the setting for encounters between some of the most famous singers and instrumentalists of the international baroque scene and young graduates of the High Schools of Music of Basel, Lyon, Lausanne and Geneva. 

    Internationally acclaimed since its first two recordings in 2009 and 2010, the ensemble now gives more than fifteen concerts a season in Geneva, as part of its Bach Cantatas , a series of annual concerts at Victoria Hall, the annual Haydn-Mozart festival created by the ensemble in 2021, and finally the Chambre des Anges, a new concert series inaugurated in 2022 and dedicated to chamber music.

  • The ensemble is equally in demand in Switzerland and abroad for performances not only of Bach, but also Tallis, Josquin, Schein, Schütz, Johann Christoph Bach, Weckmann, Buxtehude, Rosenmüller, Haydn, Mozart and others. In recent seasons, Gli Angeli Genève has been in residence at the Utrecht Festival and the Thuringer Bachwochen , and has performed in Basel, Zurich, Lucerne, Barcelona, Nürnberg, Bremen, Stuttgart, Brussels, Milan, Wroclaw, Paris, Ottawa, Vancouver, Amsterdam and The Hague. Gli Angeli Genève is a regular guest at the Saintes and Utrecht Festivals , the Bremen Musikfest and the Vancouver Bach Festival . The ensemble made its debut in 2019 at Lucerne's KKL, and was invited in 2023 to the MA Festival in Bruges , the Besançon Festival and Vézelay . On the occasion of the Haydn-Mozart Festival , Gli Angeli Genève collaborates with guest conductors and artists: Michel Corboz in 2021, Kristian Bezuidenhout in 2022, Philippe Herreweghe in 2023, and Leonardo García Alarcón in 2024.

    Gli Angeli Genève's first recording for Claves Records, Musiques sacrées du XVIIe siècle à Wroclaw , won the 2019 ICMA award for best Baroque vocal recording of the year, and Johann Sebastian Bach's St Matthew Passion has been enthusiastically received by audiences and critics alike, in Switzerland and around the world.

    The ensemble's discography also includes Bach's Mass in B , nominated at ICMA 2022, Bach's Cantatas for Bass , and Antoine Reicha's rare Symphonies Concertantes , with soloists Christophe Coin, Davit Melkonyan, Chouchane Siranossianand Alexis Kossenko. Released in October 2022, Mozart's Concertos for flute and orchestra , with Alexis Kossenko (flute) and Valeria Kafelnikov (harp) have been nominated for an ICMA 2023 award in the "Concerto" category. Johann Sebastian Bach's St John Passion , released in April 2023, Josquin Desprez's  Malheur me bat , and Mezzo Mozart with Marina Viotti, published by Aparté respectively in September 2023 and June 2024, have already won rave reviews from the press and public alike.

General Management: Tiben Artists

  • "Gli Angeli Genève chose the rarely heard 1725 version of the St. John Passion and delivered it with extraordinary expressive force. These 'angels from Geneva' take thrilling risks with dynamics and tempo... The slow, graceful arias gain a profound meditative strength, while the stunning chorales are infused with an intense, driving energy. One listens with growing fascination to the ensemble’s remarkably responsive and transparent intonation. An applause was replaced by a moment of devotion – which, had it been allowed, would have been thunderous."

    Thüringer Allgemeine Review

  • "In a chamber spirit that casts aside the ceremonial heaviness of a bygone aesthetic, Stephan MacLeod skillfully lightens the orchestral framework [...] The choir is a constant vehicle of dramatic intensity, even managing to banish the superficial brilliance often associated with the famous Hallelujah, here approached with a moderated tempo. The fugal chorus 'Worthy is the Lamb that was slain' brings a dignified conclusion to this magnificent performance, which earned the enthusiastic acclaim of the audience."

    Classica

  • "Bringing together first-rate choral, instrumental, and vocal forces, Gli Angeli Genève under the direction of Stephan MacLeod offers a program of Magnificats by Schütz, Buxtehude, Bach, and Pärt, delivered with exemplary stylistic and sonic precision. Bach’s Magnificat BWV 243 is transfigured here through a rhythmically perfect interpretation, sharply drawn contours, precise lines, airy textures, vibrant colors, and sweeping energy — all without anything needlessly decorative or monumental."

    Diapason