Distinctive voices. Meaningful careers.

Our Artists

About us

We represent a handpicked roster of classical singers, conductors, and ensembles whose work represents excellence, beauty, and individuality.

Rooted in Paris, active across the world, we believe in long-term collaboration, clear communication, and a deeply personal approach to artist management.

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News

View fullsize One year of Tiben Artists. ✨ Twelve months ago, I started Tiben Artists with a simple vision: to build an agency rooted in close listening, trust, and a daily commitment to the singers and musicians I represent. Looking back at this first year, my he
View fullsize The reviews are in for Logan Lopez Gonzalez as Ottone! Logan made his debut in the title role of Handel’s Ottone, re di Germania at the Abbatiale de Payerne this month, in the second edition of L’Opéra de l’Impératric
View fullsize The reviews are in for Marianne Beate Kielland’s Speranza and Proserpina in Monteverdi’s L’Orfeo at the Ravello Festival, and we’re delighted with them! She sang both roles with Jordi Savall conducting Le Concert des Nations
View fullsize “Sin los papeles secundarios, la ópera no existiría.” / Without secondary roles, opera wouldn’t exist. Tenor Pablo García-López has spent years defending the comprimario, and at the Gran Teatre del Lice
View fullsize Marianne Beate Kielland: L’Orfeo at Ravello Festival 🎵 Tonight at the Belvedere di Villa Rufolo, mezzo-soprano Marianne Beate Kielland sings Speranza and Proserpina in Monteverdi’s L’Orfeo, conducted by Jordi Savall with Le Concer
View fullsize Role debut alert: Logan Lopez Gonzalez as Ottone 🏛️ Tonight, countertenor Logan Lopez Gonzalez takes the title role in Handel’s Ottone, re di Germania for his role debut at the Abbatiale de Payerne. This is the second edition of L’Op&e
View fullsize Pablo García-López: Falstaff opens tonight at the Liceu 🦌 Tonight, tenor Pablo García-López opens in Verdi’s Falstaff at the Gran Teatre del Liceu in Barcelona. He sings Bardolfo, one of Falstaff’s companions
View fullsize Valerio Contaldo: Didone abbandonata at Schloss Ludwigsburg 🎭 Tonight at the Palace Theater in Ludwigsburg, Valerio Contaldo sings King Iarbas in Niccolò Jommelli’s Didone abbandonata, conducted by Francesco Corti with the Freiburg Bar
One year of Tiben Artists. ✨ Twelve months ago, I started Tiben Artists with a simple vision: to build an agency rooted in close listening, trust, and a daily commitment to the singers and musicians I represent. Looking back at this first year, my heart is full.♥️ To the 15 extraordinary artists who trusted me with their voices, their vision, their stages, and their careers: thank you. Thank you for every premiere, every rehearsal, every conversation, and for the generosity you bring to your music. Year one was about building strong foundations: creating trust behind the scenes, supporting artistic development, and shaping the identity of Tiben Artists. Year two is about bringing this work further: opening new doors internationally, deepening our relationships with opera houses, festivals and concert halls, and continuing to support each artist with the same personal attention and care. To the opera houses, casting directors, colleagues, and friends who have supported, collaborated, and believed in this new chapter: thank you. The first note has been played. The next movement begins. 🎶✨
The reviews are in for Logan Lopez Gonzalez as Ottone! Logan made his debut in the title role of Handel’s Ottone, re di Germania at the Abbatiale de Payerne this month, in the second edition of L’Opéra de l’Impératrice, directed by Constance Larrieu and conducted by Lionel Desmeules with the Capella Paterniacensis. Ottone: Logan Lopez Gonzalez Teofane: Sarah Matousek Gismonda: Polly Leech Adelberto: Charles Sudan Matilda: Benedetta Mazzucato Emireno: Gerardo Garciacano Conductor: Lionel Desmeules Bravo, Logan ! ✨ 📷 Opéra de l’Impératrice, Agence Audace
The reviews are in for Marianne Beate Kielland’s Speranza and Proserpina in Monteverdi’s L’Orfeo at the Ravello Festival, and we’re delighted with them! She sang both roles with Jordi Savall conducting Le Concert des Nations and La Capella Reial de Catalunya, in the Italian exclusive of Savall’s L’Orfeo, performed on the Belvedere di Villa Rufolo above the Amalfi Coast. Speranza (Hope) and Proserpina have been part of Marianne Beate’s work with Savall for several years: at the Opéra-Comique in Paris, the Opéra Royal de Versailles, and on the production’s audio and DVD recordings. Cast: La Musica & Euridice: Marie Théoleyre La Messaggiera: Sara Mingardo Speranza & Proserpina: Marianne Beate Kielland Orfeo: Mauro Borgioni Caronte & Plutone: Salvo Vitale Apollo: Furio Zanasi Conductor: Jordi Savall Le Concert des Nations La Capella Reial de Catalunya 📅 11 July 2026 📍 Belvedere di Villa Rufolo, Ravello Congratulations, Marianne Beate! 🌹 📷 @daviddawsonfoto (portrait)
“Sin los papeles secundarios, la ópera no existiría.” / Without secondary roles, opera wouldn’t exist. Tenor Pablo García-López has spent years defending the comprimario, and at the Gran Teatre del Liceu he showed why, as Bardolfo in Verdi’s Falstaff. The Spanish and Catalan press loved his double act with bass Alessio Cacciamani. In an interview with Beckmesser this March, he said: “Existe la idea de que si no cantas Calaf no puedes brillar, y no es cierto. Sin los papeles secundarios, la ópera no existiría. Hay comprimarios que son una escuela en sí mismos. Son músicos extraordinarios y sostienen el edificio dramático de una ópera.” “There’s a notion that if you don’t sing Calaf you can’t shine, and it isn’t true. Without the supporting roles, opera wouldn’t exist. There are comprimarios who are a school in themselves. They are extraordinary musicians, and they hold up the dramatic architecture of an opera.” Bardolfo is one of those parts. He lives inside the ensemble: a sly, fast-talking sidekick who has to stay perfectly in time with Pistola and Falstaff, in some of the quickest, most tightly woven music Verdi wrote. That’s what the reviews responded to: sharp comic timing, a warm and focused tenor that cuts through even the busiest ensembles, and a chemistry with Cacciamani that came through in every scene. 📅 9-19 July 2026 📍 Gran Teatre del Liceu, Barcelona Enhorabuena, Pablo! 🌹

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