Distinctive voices. Meaningful careers.

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About us

We represent a handpicked roster of classical singers, conductors, and ensembles whose work represents excellence, beauty, and individuality.

Rooted in Paris, active across the world, we believe in long-term collaboration, clear communication, and a deeply personal approach to artist management.

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News

✨ Countertenor Alex Potter returns to AMUZ for a solo recital, joined by his friends Patrick Ayrton (harpsichord) and Salomé Gasselin (viola da gamba). Together they explore the rich and turbulent sound world of 17th-century England in These distracted tymes, with music by Henry Purcell, John Blow, Matthew Locke, Henry Lawes and Thomas Tomkins. Written during a century marked by civil war and political upheaval, these works reveal a remarkable flowering of English music, moving between contemplation, wit and quiet melancholy. πŸ“ Antwerp πŸ—“ 6 March 2026 — 20:00 🎢 AMUZ (St. Augustine Church) Toi toi toi, Alex ✨
✨ Tonight, tenor Antonin Rondepierre makes his role debut as Renaud in Armide by Jean-Baptiste Lully, at the Müpa Budapest (Béla Bartók National Concert Hall). This performance marks an important step in Antonin’s development as he enters the demanding haut-contre repertoire. This high-tenor tessitura, known for its heroic poise and emotional clarity, calls for flexibility and sustained line. Cast: Marie-Andrée Bouchard-Lesieur — Armide Antonin Rondepierre — Renaud Judith van Wanroij — Glory, Phénice, Nymph Floriane Hasler — Wisdom, Sidonie Gwendoline Blondeel — Lucinde, Shepherdess, Choir Leader David Witczak — Hatred, Aronte, Artémidore Lysandre Chalon — Hidraot, Ubalde David Tricou — Danish Knight With the Purcell Choir and the Orfeo Orchestra, conducted by György Vashegyi. ✨ Presented by Müpa Budapest in collaboration with Haydneum. πŸ“ Budapest πŸ—“ 2 March 2026 — 19:00 Toi toi toi Antonin! 🫰
✨Three performances of Sehnsuchtsmomente with Marianne Beate Kielland at the Brandenburger Theater, together with the Brandenburger Symphoniker under Andreas Spering. At the centre of the programme: Sieben frühe Lieder by Alban Berg: seven early songs of quiet intensity, where late Romantic warmth meets a newly emerging musical language. Marianne brings her affinity for text and colour to this finely woven cycle. The evening opens with Pelléas et Mélisande Suite by Gabriel Fauré, and concludes with Symphony No. 2 in D major by Ludwig van Beethoven. πŸ“ Studiobühne, Brandenburg an der Havel πŸ—“ Fri 27 February 2026 — 19:30 πŸ—“ Sat 28 February 2026 — 19:30 πŸ—“ Sun 1 March 2026 — 16:00 Toi toi toi @mariannebeatekielland @brandenburger.symphoniker @spering.andreas πŸ“Έ @daviddawsonfoto
Countertenor Logan Lopez Gonzalez takes centre stage today at 5:00 PM with the Orchestra Sinfonica di Sanremo. As part of the Festival di Musica Barocca (5th edition), Concert No. 6 — “Baroque (Almost) Without Vivaldi” — invites audiences to explore the richness of 18th-century Europe beyond the familiar canon. The programme centres on Handel, featuring arias from Serse , Rodelinda, Tolomeo (“Stille Amare”) and Rinaldo (“Venti Turbini”), alongside orchestral works by Dall’Abaco, Ferrandini and Vivaldi. 🎼 Orchestra Sinfonica di Sanremo 🎢 Conductor: Francesco D’Arcangelo πŸ“ Ex Oratorio Santa Brigida – La Pigna πŸ—“ Wednesday, 11 February 2026 πŸ•” 5:00 PM In bocca al lupo, Logan! ✨

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