Pieter-Jelle de Boer

Conductor

  • Pieter-Jelle de Boer is a Dutch-French conductor, pianist, organist, and composer whose musical personality defies easy labelling. Equally at ease with repertoire ranging from the Renaissance to contemporary music, he is known for crafting thoughtful and surprising programmes that bring orchestras and audiences closer together, always aiming to create authentic and engaging musical experiences.

    Based in France, he has conducted many of the country’s leading orchestras, including the Orchestre National de France and the orchestras of Toulouse, Bordeaux, Metz, Pays de la Loire, Avignon, and Picardie. In the Netherlands, he is a frequent guest with orchestras such as the Rotterdam Philharmonic, the Residentie Orkest, the South Netherlands Philharmonic, and the North Netherlands Orchestra. He has worked with major performers such as Bertrand Chamayou, Gautier Capuçon, Adélaïde Ferrière, Alexandre Kantorow and Lucienne Renaudin-Vary. From 2021 to 2025, he was Music Director of the Orchestre des Pays de Savoie, where he introduced new forms of programming and considerably broadened the orchestra’s repertoire, with a particular focus on female composers.

    As a musician with a broad artistic palette, Pieter-Jelle de Boer unites multiple identities in his work: Whether orchestrating Duruflé’s Suite pour orgue, writing a new commission for Radio France, conducting a staged opera production with soloists, chorus, children’s choir and actors, or recording a solo piano album, he moves fluidly between roles and styles, always driven by curiosity, imagination, and a desire to explore music in its full expressive range.

    In the 2025/26 season, he conducts The Cunning Little Vixen by Janáček in a Dutch-language production for the Nederlandse Reisopera, touring ten cities across the Netherlands. He also presents the world premiere of his latest organ work at the Maison de Radio France, in a solo recital that includes several of his own transcriptions. Recent highlights include a tour of play-conduct Mozart concerts with the Orchestre des Pays de Savoie, film concerts at La Seine Musicale, and appearances with the Orchestre de Caen and the Netherlands Philharmonic Orchestra. He has also conducted the Izmir State Symphony Orchestra, the Netherlands Philharmonic Orchestra, the Brussels Philharmonic, the Monte-Carlo Philharmonic Orchestra, and the Orchestre National de Cannes.

  • His recordings have been widely acclaimed, including a recent album of Mozart Symphonies with the Orchestre des Pays de Savoie, Castelnuovo-Tedesco’s violin concertos with Tianwa Yang and the SWR Sinfonieorchester, Janáček’s choral works with Accentus, and solo piano music by Mendelssohn and Rachmaninov.

    Pieter-Jelle de Boer studied at the Paris Conservatoire, where he earned a Premier Prix in conducting, and at the Conservatorium van Amsterdam, where he obtained advanced degrees in both piano and organ. He is a laureate of the Antonio Pedrotti International Conducting Competition in Trento, as well as the international organ competitions in Alkmaar and Freiberg.

    His compositions include works such as Ciacona for solo piano and Danses concertantes for organ, brass, and percussion. His orchestrations and transcriptions reflect a deep engagement with sound, colour, and the act of reimagining repertoire for new contexts.

General Management: Tiben Artists

  • De Boer’s supple yet rigorous conducting all the more clearly brings out the joy that radiates from this music, composed during one of the happiest periods in Mozart’s life.

    Télérama

  • “An important part of the drama comes from the orchestra pit, where conductor Pieter-Jelle de Boer, making his debut with Opera Zuid, leads the Philharmonie Zuidnederland with a steady hand through Massenet’s never exuberant, but tasteful and high-contrast score, bringing glow, colour and warmth to it.”

    De Volkskrant

  • “Last Saturday, in two performances, the Orchestre des Pays de Savoie opened the big book of classical music with a festive programme ending with the power of Strauss. It was consistent, perfectly linked from one score to the next, delicately performed by high-level musicians and a new direction that will certainly take the OPS towards a prosperous and bright horizon.”

    Le Dauphiné Liberé

  • Here again, the performers revel in the music, conveying that sense of fullness and joy that Mozart excelled at creating. The conducting is precise, and it is clear that the musicians are in perfect harmony with their conductor.

    Diapason